Project xx1

no-profit

Viale Prospero Colonna, 101

00149 Roma

ITALY

 

P.I. 15203931009

C.F. 97938120587

 

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Interactive

These productions are more intimate experiences, designed for a smaller number of participants. The interactive productions are based on engagement dynamics that are closely tied to the narrative development. Project xx1 has created experiences based on live interaction, both in-person and online.

reptilarium title2

2020

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Reptilarium - the future has cold blood

Free roaming 2017-2019

 

 

An online immersive experience featuring you as the protagonist. At home. It develops as a narrative, enjoyable as a movie, playable as a videogame, experienced as a dream. A dream of a future with cold blood. What are you waiting for? 

Reptilarium is available only in Italian. 

 

 

a project xx1 production 

Reptilarium - the future has cold blood 

Dramaturgy Alessandro D'Ambrosi Anna Maria Avella Fabiana Reale Riccardo Brunetti Sandra Albanese Silvia Ferrante 

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Directed by Alessandro D'Ambrosi Riccardo Brunetti 

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with Santa de Santis Michele Bevilacqua Emanuele Cerman 

featuring Gabriele Carbotti Elisabetta Mandalari Malvina Ruggiano Adriano Saleri Marco Usai 

  

and the participation of Chiara Capitani Elisa Poggelli Martino Fiorentini Anna Maria Avella Riccardo Brunetti Alessandro D'Ambrosi Sandra Albanese Susanna Valtucci Costanza Amoruso Silvia Siravo Silvia Ferrante Fabiana Reale Arianna Brunetti Simone Petrucci Annabella Tedone Carlotta Sfolgori Danilo Frati Stefano Fregni Elisabetta Girodo Angelin Dario Biancone Benedetto Farina Irina Mian Michele Cavallo Jacqueline Sciannella Alessandro D'Ambrosi Sr. 

  

  

Editing Alessandro D'Ambrosi 

Sound design Riccardo Brunetti 

Operator Simone Palma 

Costumes Sandra Albanese 

Digital Strategist Fabiola Ietto 

Graphics Ilaria Passabì 

Additional graphics Valeria Marzano 

Graphic consultant Francesco D'Agrippino 

Web consultant Luca Callocchia 

Staff Ilenia Lanni Augusto Donati 

Gorgon Sicomoro 

Media Partner The Parallel Vision 

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A special thanks to Filippo Donati Nicola Donati Costanza Amoruso Danilo Ferrante 

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2019

Attòrt' (twisted)

Interactive - 2019

 

 

Marietta throws a party. We don’t know if she’s just moved in or she is going to move out. Certainly she’s not too well, she needs everyone’s warmth. In this times where communication modalities blew up, interacting with people, especially men from her point of view, is getting more and more complicated: instant messaging with its emoticons, lapidary thoughts sent distractedly, and quick sexting sessions… To establish a deep relationship is nearly impossible.  She asks herself and demands advice from her guests, looking for possible solutions: attempts moved by a vivid enthusiasm that, despite her best efforts, deflates rapidly. She carries in her heart a constant tension between past, what the family taught her, and future, what she desires. A continuous anxiety between “should do” and “want to”. She feels observed and judged by her mother and her grandmother: they don’t leave her alone. A further twist, to answer to “need to”. It would need a recipe, but the notebook, her family’s heritage, is not enough. Squeezed as a mop, Marietta is writhing in a large kitchen - stage of little and big everyday dramas, fortress of the tradition spectres and of the revolutionary forces of innovation.

It’s an internal, visceral struggle… stay with us, Lord. 

 

The focus, all through the pièce, orbits around the protagonist’s internal crack, that is provoked by a controversial binomial. The one between tradition, meant as a life-long process of settling and acquisition of cultural behaviour passed on by the family and the original community since birth, and change, representing what she has learnt by herself, growing up and facing with a society that is constantly changing. The two spokeswomen of past and tradition, her grandmother and her mother, whom she’s constantly comparing herself with, will appear as visions judging her way of living differently from what tradition dictates. 

 

 

Dramaturgy: Riccardo Brunetti e Anna Maria Avella 

Performer: Anna Maria Avella 

Tech and set-up: Project xx1 

Video: Simone Palma 

Costumes: Sandra Albanese 

Photo: Ilaria Giorgi Photo&Design 

Social media manager: Gabriella Indolfi 

Staff: Silvia Ferrante, Sandra Albanese, Emiliano Trimarco, Paola Caprioli, Gabriella Indolfi 

Poster: Eugenio Sicomoro 

Additional writing: Azzurra Lochi, Elisa Poggelli, Fabiana Reale, Paola Caprioli, Maria I. Trecca, Sandra Albanese, Silvia Ferrante, famiglia Novelli - De Sanctis, famiglia Avella - Sinisi 

Directed by: Riccardo Brunetti 

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cariuola title

2018

The wheelbarrow

Interactive - 2019

 

 

A short experience through suffering and joys of a long and extraordinary feat: Ostiense’s reclamation between 800 and 900 centuries. Hosted by “La Via Semantica”, in collaboration with Controchiave organization. 

 

From a proposal by Guido Rossi 

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Dramaturgy Riccardo Brunetti, Silvia Ferrante, Anna Maria Avella, Sandra Albanese 

  

With: Adriano Saleri, Alfredo Pagliuca, Anna Maria Avella, Azzurra Lochi, Costanza Amoruso, Fabiana Reale, Gabriella Indolfi, Riccardo Brunetti, Sandra Albanese, Silvia Ferrante 

  

Directed by Riccardo Brunetti 

 

In collaboration with La Via Semantica – Ass. Cult. Controchiave 

pastorale title

2022

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Pastorale

Interactive - 2018

 

 

The residents of the condo are constantly in conflict with each other. Behind the courtesy face, everyone is secretly waiting for the Poet, determined to get noticed at the moment of his return.

 

Developed during the artistic residence at Festival della Resilienza 2018 (Propositivo). 

  

Trainers Riccardo Brunetti, Sandra Albanese, Anna Maria Avella 

  

Dramaturgy and performers: Alessandro Doro, Anna Maria Avella, Claudia Giua, Isabella Oggiano, Maria Costanza Dolce, Pierpaolo Totti,  

  

Staff Alessia Caria, Chiara Mattana, Ilaria Giorgi, Paola Caprioli, Sandra Albanese, Silvia Porcu 

  

Propositivo Azzurra Lochi, Isabel Gollin, Valentina Vinci, Gian Luca Atzori, Luca Pirisi 

  

Directed by Riccardo Brunetti 

 

 

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open day title

2018

Open day (Train of love)

Interactive - 2018

 

 

“Are you tired of experiencing love in second class? Come aboard the exclusive carriages of Train of Love, the only agency in the world that offers a full love experience—perfect in every detail, smooth, and free of unnecessary heartbreaks—with destination: happiness!”

 

The audience is invited to the Train of Love Open Day to try their services firsthand. The agents are energized and ready. The agency offers a wide range of services: from profiling and selecting the "ideal" partner to real-time coaching during dates, from psychological exercises to open oneself up to love in daily life to techniques for overcoming relationship difficulties.

After an engaging opening theme, potential clients will be divided into small groups to experience all the agency's services firsthand.

 

Developed during the annual Immersive Theater workshop at Associazione Controchiave, 2017-2018.

 

Written and performed by Anna Maria Avella, Azzurra Lochi, Costanza Amoruso, Gabriella Indolfi, Sandra Albanese, Simone Petrucci


Directed by Riccardo Brunetti