Project xx1

no-profit

Viale Prospero Colonna, 101

00149 Roma

ITALY

 

P.I. 15203931009

C.F. 97938120587

 

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Person standing inside an abandoned building with panoramic mountain views.Group of smiling people celebrating against a brick wall background.Woman wearing green high-heeled shoes standing indoorsFour people interacting in a vintage styled kitchen setting.Interactive theatrical performance with actors in traditional costumesChildren in costumes gather in a park during a lively outdoor event.

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Interactive

These productions are more intimate experiences, designed for a smaller number of participants. The interactive productions are based on engagement dynamics that are closely tied to the narrative development. Project xx1 has created experiences based on live interaction, both in-person and online.

Word search puzzle with the word 'Reptilium' highlighted

2020

Close-up of a man pointing upward with a thoughtful expressionPerson with braided hair and a necklace making a gesture.Man in business suit with digital city backgroundMan reaching out in a vintage living room setting.Abandoned circular building interior with silhouette of person at sunsetWhite Medusa emblem with snake hair in hexagon on black background

Reptilarium - the future has cold blood

Free roaming 2017-2019

 

 

An online immersive experience featuring you as the protagonist. At home. It develops as a narrative, enjoyable as a movie, playable as a videogame, experienced as a dream. A dream of a future with cold blood. What are you waiting for? 

Reptilarium is available only in Italian. 

 

 

a project xx1 production 

Reptilarium - the future has cold blood 

Dramaturgy Alessandro D'Ambrosi Anna Maria Avella Fabiana Reale Riccardo Brunetti Sandra Albanese Silvia Ferrante 

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Directed by Alessandro D'Ambrosi Riccardo Brunetti 

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with Santa de Santis Michele Bevilacqua Emanuele Cerman 

featuring Gabriele Carbotti Elisabetta Mandalari Malvina Ruggiano Adriano Saleri Marco Usai 

  

and the participation of Chiara Capitani Elisa Poggelli Martino Fiorentini Anna Maria Avella Riccardo Brunetti Alessandro D'Ambrosi Sandra Albanese Susanna Valtucci Costanza Amoruso Silvia Siravo Silvia Ferrante Fabiana Reale Arianna Brunetti Simone Petrucci Annabella Tedone Carlotta Sfolgori Danilo Frati Stefano Fregni Elisabetta Girodo Angelin Dario Biancone Benedetto Farina Irina Mian Michele Cavallo Jacqueline Sciannella Alessandro D'Ambrosi Sr. 

  

  

Editing Alessandro D'Ambrosi 

Sound design Riccardo Brunetti 

Operator Simone Palma 

Costumes Sandra Albanese 

Digital Strategist Fabiola Ietto 

Graphics Ilaria Passabì 

Additional graphics Valeria Marzano 

Graphic consultant Francesco D'Agrippino 

Web consultant Luca Callocchia 

Staff Ilenia Lanni Augusto Donati 

Gorgon Sicomoro 

Media Partner The Parallel Vision 

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A special thanks to Filippo Donati Nicola Donati Costanza Amoruso Danilo Ferrante 

Sketch of interlocking hands with the word 'attòrt'.
eyJpdCI6IkRvbm5hIGNvbmNlbnRyYXRhIGNoZSB1dGlsaXp6YSB1bm8gc21hcnRwaG9uZSBpbiB1biBhbWJpZW50ZSBidWlvIn0=eyJpdCI6IlBlcnNvbmUgaW50ZXJhZ2lzY29ubyB2aXZhY2VtZW50ZSBpbiB1biYjeDI3O2FtYmllbnRhemlvbmUgc2N1cmEsIGNyZWFuZG8gdW4mI3gyNzthdG1vc2ZlcmEgaW1tZXJzaXZhIn0=eyJpdCI6IkRvbm5hIGNoZSBwYXJ0ZWNpcGEgYSB1biBldmVudG8gZGkgbmFycmF6aW9uZSBpbW1lcnNpdmEifQ==eyJpdCI6Ik1hbmkgY2hlIGltcGFzdGFubyBmYXJpbmEgc3UgdW4gdGF2b2xvIGRpIGxlZ25vIn0=eyJpdCI6IkRvbm5hIGluIGFiaXRvIHJvc3NvIGR1cmFudGUgdW4gZXZlbnRvIGRpIG5hcnJhemlvbmUgaW1tZXJzaXZhIGNvbiBtdXNpY2EgZSBsdWNpIHNvZmZ1c2UifQ==eyJpdCI6IlBlcnNvbmEgYWNjYW50byBhIHVuIGZvcm5vIGFjY2VzbyBpbiB1bmEgc2NlbmEgdGVhdHJhbGUgaW1tZXJzaXZhIn0=eyJpdCI6IkdhbWJlIGRpIHVuYSBkb25uYSBjb24gdmVzdGl0byByb3NzbyBhIHBvaXMgZSBzY2FycGUgdmVyZGkifQ==eyJpdCI6IkRvbm5hIGNoZSByZWNpdGEgaW4gdW5hIHNjZW5hIHRlYXRyYWxlIGltbWVyc2l2YSBlIGludGVyYXR0aXZhIGNvbiBsdWNlIGJsdSBlIG9nZ2V0dGkgZGkgc2NlbmEgcmV0cm8ifQ==eyJpdCI6IlNjZW5lIGRpIHRlYXRybyBpbnRlcmF0dGl2byBpbiBjdWNpbmEgY29uIHF1YXR0cm8gcGVyc29uZSwgbmFycmF6aW9uZSBpbW1lcnNpdmEuIn0=eyJpdCI6IlBlcnNvbmUgcGFydGVjaXBhbm8gYSB1biYjeDI3O2VzcGVyaWVuemEgaW50ZXJhdHRpdmEgaW4gdW4gYW1iaWVudGUgaWxsdW1pbmF0byBkaSByb3NzbyJ9eyJpdCI6IlBlcnNvbmUgY2hlIGN1Y2luYW5vIGluc2llbWUgaW4gdW4gYW1iaWVudGUgdGVhdHJhbGUgaW50ZXJhdHRpdm8uIn0=

2019

Attòrt' (twisted)

Interactive - 2019

 

 

Marietta throws a party. We don’t know if she’s just moved in or she is going to move out. Certainly she’s not too well, she needs everyone’s warmth. In this times where communication modalities blew up, interacting with people, especially men from her point of view, is getting more and more complicated: instant messaging with its emoticons, lapidary thoughts sent distractedly, and quick sexting sessions… To establish a deep relationship is nearly impossible.  She asks herself and demands advice from her guests, looking for possible solutions: attempts moved by a vivid enthusiasm that, despite her best efforts, deflates rapidly. She carries in her heart a constant tension between past, what the family taught her, and future, what she desires. A continuous anxiety between “should do” and “want to”. She feels observed and judged by her mother and her grandmother: they don’t leave her alone. A further twist, to answer to “need to”. It would need a recipe, but the notebook, her family’s heritage, is not enough. Squeezed as a mop, Marietta is writhing in a large kitchen - stage of little and big everyday dramas, fortress of the tradition spectres and of the revolutionary forces of innovation.

It’s an internal, visceral struggle… stay with us, Lord. 

 

The focus, all through the pièce, orbits around the protagonist’s internal crack, that is provoked by a controversial binomial. The one between tradition, meant as a life-long process of settling and acquisition of cultural behaviour passed on by the family and the original community since birth, and change, representing what she has learnt by herself, growing up and facing with a society that is constantly changing. The two spokeswomen of past and tradition, her grandmother and her mother, whom she’s constantly comparing herself with, will appear as visions judging her way of living differently from what tradition dictates. 

 

 

Dramaturgy: Riccardo Brunetti e Anna Maria Avella 

Performer: Anna Maria Avella 

Tech and set-up: Project xx1 

Video: Simone Palma 

Costumes: Sandra Albanese 

Photo: Ilaria Giorgi Photo&Design 

Social media manager: Gabriella Indolfi 

Staff: Silvia Ferrante, Sandra Albanese, Emiliano Trimarco, Paola Caprioli, Gabriella Indolfi 

Poster: Eugenio Sicomoro 

Additional writing: Azzurra Lochi, Elisa Poggelli, Fabiana Reale, Paola Caprioli, Maria I. Trecca, Sandra Albanese, Silvia Ferrante, famiglia Novelli - De Sanctis, famiglia Avella - Sinisi 

Directed by: Riccardo Brunetti 

Poster for 'La Cariuola' by Guido Rossi, featuring workers pushing wheelbarrowsWoman holding a ceramic jug and wicker basket at an event.Women performing in an interactive and immersive theater production.Performer in costume engaging audience in interactive productionMan performing in immersive theater with audience surrounding him.People enjoying an interactive live experience dressed in themed costumes.People in traditional attire on stage during a live interactive performance.Theatrical performance with actors in period costumes and a comedic scene
La Cariuola with Controchiave logo

2018

The wheelbarrow

Interactive - 2019

 

 

A short experience through suffering and joys of a long and extraordinary feat: Ostiense’s reclamation between 800 and 900 centuries. Hosted by “La Via Semantica”, in collaboration with Controchiave organization. 

 

From a proposal by Guido Rossi 

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Dramaturgy Riccardo Brunetti, Silvia Ferrante, Anna Maria Avella, Sandra Albanese 

  

With: Adriano Saleri, Alfredo Pagliuca, Anna Maria Avella, Azzurra Lochi, Costanza Amoruso, Fabiana Reale, Gabriella Indolfi, Riccardo Brunetti, Sandra Albanese, Silvia Ferrante 

  

Directed by Riccardo Brunetti 

 

In collaboration with La Via Semantica – Ass. Cult. Controchiave 

Pastorale Festival della Resilienza text on black background

2022

Man holding a wine bottle and glass in dim lightingPerson resting their head on a table with crumpled papers, nail polish, and a mirror.Person standing on a dimly lit staircase holding a stickMan holding a megaphone and gesturing in a dimly lit room.Silhouetted figures in a dimly lit room with a vintage photograph on the wall.Two people in conversation, one holding a bottle, indoors.

Pastorale

Interactive - 2018

 

 

The residents of the condo are constantly in conflict with each other. Behind the courtesy face, everyone is secretly waiting for the Poet, determined to get noticed at the moment of his return.

 

Developed during the artistic residence at Festival della Resilienza 2018 (Propositivo). 

  

Trainers Riccardo Brunetti, Sandra Albanese, Anna Maria Avella 

  

Dramaturgy and performers: Alessandro Doro, Anna Maria Avella, Claudia Giua, Isabella Oggiano, Maria Costanza Dolce, Pierpaolo Totti,  

  

Staff Alessia Caria, Chiara Mattana, Ilaria Giorgi, Paola Caprioli, Sandra Albanese, Silvia Porcu 

  

Propositivo Azzurra Lochi, Isabel Gollin, Valentina Vinci, Gian Luca Atzori, Luca Pirisi 

  

Directed by Riccardo Brunetti 

 

 

Group of five people in black outfits smiling and celebrating against a red brick wallGroup of five people posing confidently in stylish black attire against a brick wall.Black and white portrait of a woman singing with a dramatic expression.Group of performers in a theatrical dance routineThree people in a dimly lit setting, with one woman gesturing while talking to a man.Couple in elegant attire smiling in dim lightingWoman sitting on a bed in a dimly lit room, smiling.Two women energetically dancing on stage in black and whiteVintage room with antique furniture and bridal gown on mannequin.Woman holding an elegant wedding dressWoman in a dark room with a heart symbol, expressing emotion.Woman smiling with a heart sticker on her foreheadPerson performing theatrical act on wooden floorWoman on stage wearing a microphone headset.Woman engaging in an interactive experience in a vintage room.Woman smiling in elegant setting with balloons
Open day (Train of Love) text on black background

2018

Open day (Train of love)

Interactive - 2018

 

 

“Are you tired of experiencing love in second class? Come aboard the exclusive carriages of Train of Love, the only agency in the world that offers a full love experience—perfect in every detail, smooth, and free of unnecessary heartbreaks—with destination: happiness!”

 

The audience is invited to the Train of Love Open Day to try their services firsthand. The agents are energized and ready. The agency offers a wide range of services: from profiling and selecting the "ideal" partner to real-time coaching during dates, from psychological exercises to open oneself up to love in daily life to techniques for overcoming relationship difficulties.

After an engaging opening theme, potential clients will be divided into small groups to experience all the agency's services firsthand.

 

Developed during the annual Immersive Theater workshop at Associazione Controchiave, 2017-2018.

 

Written and performed by Anna Maria Avella, Azzurra Lochi, Costanza Amoruso, Gabriella Indolfi, Sandra Albanese, Simone Petrucci


Directed by Riccardo Brunetti